1 00:00:09,61 --> 00:00:10,47 Used to do T.V. 2 00:00:10,48 --> 00:00:14,74 Is sponsored by garden house Country Blues series on Beacon Hill the third Friday 3 00:00:14,75 --> 00:00:18,95 of the month petering Alice Stewart and special guest Eric Freeman on September 4 00:00:18,96 --> 00:00:24,21 twenty first Lloyd Jones and Paul Green on October nineteenth and Bonnie McCoy 5 00:00:24,25 --> 00:00:29,64 Memphis Minnie's niece and special guest Mary flowers on Nov sixteenth you can find 6 00:00:29,65 --> 00:00:34,17 out more about beacon Hill's garden house country blues concert series at brown 7 00:00:34,18 --> 00:00:39,97 paper tickets Face Book or at blues to do dot com or by calling two six three two 8 00:00:39,98 --> 00:00:45,50 eight zero six six two that's garden house country blues concert series. 9 00:00:54,16 --> 00:01:00,54 The in. The in. 10 00:01:05,74 --> 00:01:09,64 The in. The the 11 00:01:09,65 --> 00:01:15,12 it 12 00:01:15,13 --> 00:01:20,83 the 13 00:01:20,84 --> 00:01:26,93 the. The the 14 00:01:26,94 --> 00:01:36,88 it 15 00:01:36,88 --> 00:01:39,85 . Has 16 00:01:39,86 --> 00:01:45,84 a fabulous bass player let's give it up for the it's on the top but. Come on Dexter 17 00:01:45,85 --> 00:01:50,65 paint on the saxophone him stone on the bass J. 18 00:01:50,66 --> 00:01:56,08 Poorest on the drum and vocals names that Mr Lionel Young has played with 19 00:01:56,09 --> 00:02:02,20 a clue can't basi Stevie Wonder Jimmy Page and Mr Plant. 20 00:02:03,77 --> 00:02:09,83 Living Color litter Ronstadt homesick James Oh I was very impressed that you got 21 00:02:09,84 --> 00:02:10,81 a list man you got 22 00:02:10,82 --> 00:02:14,85 a list All right we're going to we're in for some great music from this band and 23 00:02:14,86 --> 00:02:21,73 working with the best of all is I think that their stories they're great music 24 00:02:22,09 --> 00:02:25,05 all right I'm counting on you to give you some love and appreciation for their 25 00:02:25,17 --> 00:02:29,03 beautiful set of music coming your way right now it is blues to do T.V. 26 00:02:29,14 --> 00:02:33,62 Here on Thursday night at eighty eight keys and the Lionel young band give up plays 27 00:02:33,63 --> 00:02:35,77 Jan when you've got some Abbas coming your way. 28 00:02:55,13 --> 00:03:01,13 Street oh hold on. For. 29 00:03:23,12 --> 00:03:30,02 Me. And. 30 00:03:37,19 --> 00:03:42,95 I'll be buried. In mine. 31 00:03:50,90 --> 00:03:52,11 Org. 32 00:04:03,62 --> 00:04:04,84 And be free. 33 00:04:16,71 --> 00:04:19,34 It's Friday. Just got 34 00:04:19,49 --> 00:04:24,40 a call up just. Got 35 00:04:24,41 --> 00:04:31,39 a call of you. Go ahead. Got 36 00:04:31,40 --> 00:04:34,96 to house me. Head. 37 00:04:38,25 --> 00:04:44,68 Oh no way but it did take. A trip to the river you know well 38 00:04:45,43 --> 00:04:52,19 I can't find an old soul you know. Oh is it just me she 39 00:04:52,20 --> 00:04:57,53 said I've got to have something gotta. Gotta have something. 40 00:04:59,22 --> 00:05:04,74 To say I got do. You know there's something wrong. 41 00:05:06,31 --> 00:05:11,67 Oh the songs that are wrong. That something bad are. 42 00:05:13,74 --> 00:05:17,78 There the song they're. Going to move over night. 43 00:06:07,25 --> 00:06:07,70 Eh. 44 00:06:29,03 --> 00:06:29,66 Eh. 45 00:06:40,08 --> 00:06:40,93 Eh eh. eh 46 00:07:50,26 --> 00:07:56,97 We're not done good to clear. Up with things quickly what good was voted 47 00:07:56,98 --> 00:08:01,48 Jake I said Now I hear. You who. Was 48 00:08:01,49 --> 00:08:08,34 a good bit just to manage. The band attraction I asked. Something so she said 49 00:08:08,39 --> 00:08:12,01 save your money if. You want to know that that 50 00:08:12,02 --> 00:08:17,36 a song the father of all. The song not are all about. 51 00:08:19,13 --> 00:08:24,53 The something that are wrong about. The song the dollar all. 52 00:08:26,20 --> 00:08:30,00 The songs are not wrong to the Monet. 53 00:10:43,83 --> 00:10:49,96 The stuff. We've. Said now 54 00:10:50,71 --> 00:10:55,47 it's time. Go. Ahead just don't think so. 55 00:10:59,00 --> 00:11:04,28 Stead mission for the post season the sun sets out. 56 00:11:07,08 --> 00:11:12,20 Sunset power all. Told us all that now run. 57 00:11:14,39 --> 00:11:20,96 Call them run. A solid hour run to Bob Moon 58 00:11:21,87 --> 00:11:22,34 to form 59 00:11:22,35 --> 00:11:34,68 a. Yes 60 00:11:34,87 --> 00:11:36,08 oh yes. 61 00:11:58,16 --> 00:11:58,95 You can't blame 62 00:11:58,96 --> 00:12:06,18 a dollar. For every call wrong. You 63 00:12:06,19 --> 00:12:08,99 can blame it doesn't. Ever. 64 00:12:13,99 --> 00:12:18,60 Just plain to see. Oh just get along. 65 00:12:22,08 --> 00:12:25,86 You know now put it. In your treatment so. 66 00:12:32,40 --> 00:12:37,96 You know what treat you so. All. 67 00:12:40,33 --> 00:12:41,69 The same we have 68 00:12:41,70 --> 00:12:51,27 a hack cause every day. We 69 00:12:51,42 --> 00:12:54,22 say. No crack head. 70 00:12:58,63 --> 00:13:05,43 Down drag. With. You you're done with me would 71 00:13:05,44 --> 00:13:11,81 never going to be the same. Right. 72 00:13:53,15 --> 00:13:53,42 OK. 73 00:14:43,52 --> 00:14:43,73 We have 74 00:14:43,74 --> 00:14:51,19 a. Shot and we say 75 00:14:51,19 --> 00:14:53,24 . I said OK. 76 00:14:58,84 --> 00:15:04,47 Great. I'm done with you you're done with me you. 77 00:15:05,85 --> 00:15:09,74 Will be. Here. 78 00:15:20,00 --> 00:15:25,33 In the car. Now. 79 00:15:27,53 --> 00:15:28,66 We just can't get up. 80 00:15:38,21 --> 00:15:39,15 And say yeah. 81 00:15:46,28 --> 00:15:51,60 Right. We're. You. 82 00:17:07,53 --> 00:17:07,70 Know. 83 00:17:29,38 --> 00:17:29,50 That. 84 00:17:45,50 --> 00:17:49,11 You know you is wrong. Look. 85 00:17:57,60 --> 00:17:57,87 Away. 86 00:18:50,11 --> 00:18:50,74 Thank you. 87 00:19:05,72 --> 00:19:11,91 Well you are not to see. That get to so fine. 88 00:19:13,49 --> 00:19:13,85 Without 89 00:19:13,86 --> 00:19:23,16 a man from. A night. Wait no. Sugarcoating. Yes 90 00:19:23,17 --> 00:19:30,06 you called. Me may 91 00:19:30,32 --> 00:19:36,33 be she's my. Lab don't have. Money. 92 00:19:37,68 --> 00:19:41,60 I don't know. I don't. 93 00:19:46,34 --> 00:19:51,27 Know she got sugar coated. To call. 94 00:19:57,36 --> 00:20:02,85 Me Maybe she's. Now you know. 95 00:20:10,60 --> 00:20:15,24 That Adam made him that what I can use and that she could. 96 00:20:18,73 --> 00:20:25,52 Call. Me Maybe. 97 00:20:28,25 --> 00:20:33,12 She got the call that. Still some. 98 00:23:44,31 --> 00:23:45,20 Thank. 99 00:24:07,47 --> 00:24:08,66 You ed. 100 00:25:26,89 --> 00:25:27,65 Yeah. 101 00:25:42,14 --> 00:25:46,14 Well what do you guys do what do you guys what are you guys doing we're trying to 102 00:25:46,15 --> 00:25:50,59 ever show you what is what is going right away just what. 103 00:25:58,61 --> 00:26:02,93 It never hurts to ask your mom there from Houston Texas the home of Archie Bell on 104 00:26:02,94 --> 00:26:07,01 the trails later the gentleman. If you ever. 105 00:26:20,23 --> 00:26:25,56 Read it to me bring me laugh. Brain. 106 00:26:28,71 --> 00:26:33,53 Yeah yeah. Yeah. You know. 107 00:26:48,63 --> 00:26:53,13 Me. Bring. 108 00:26:54,56 --> 00:26:59,52 Me. A. 109 00:27:08,10 --> 00:27:09,60 Shoestring down. 110 00:27:15,52 --> 00:27:22,23 Praying and. Praying. For 111 00:27:22,24 --> 00:27:23,24 me. 112 00:27:31,69 --> 00:27:31,100 Yeah. 113 00:27:42,76 --> 00:27:49,39 Praying. Praying. Praying. For 114 00:27:49,40 --> 00:27:54,81 me. He. 115 00:27:56,61 --> 00:28:03,16 Laughs. When you land. But she. 116 00:28:05,87 --> 00:28:10,85 Had my say. Bring it. 117 00:28:23,38 --> 00:28:27,40 If you. Change. 118 00:28:33,57 --> 00:28:40,20 The. Praying. Praying. 119 00:28:50,86 --> 00:28:55,86 Yes. He was. 120 00:29:34,25 --> 00:29:34,27 A. 121 00:29:57,47 --> 00:29:57,88 Good mom. 122 00:30:04,28 --> 00:30:07,82 Always cues me do when something wrong. 123 00:30:18,59 --> 00:30:20,32 Sad to play with my. 124 00:30:25,48 --> 00:30:28,92 Oh excuse me when some of them roam. 125 00:30:39,65 --> 00:30:45,77 I'm going to see online. I can't see. 126 00:30:47,40 --> 00:30:49,24 My pants but 127 00:30:49,25 --> 00:31:00,50 a home. Here 128 00:31:00,51 --> 00:31:06,33 come to my. You know it's the same thing covered. 129 00:31:11,16 --> 00:31:16,92 Both straps with. Chandrayaan and. 130 00:31:21,47 --> 00:31:28,33 Now is the cue. Cue 131 00:31:28,34 --> 00:31:30,92 the me through when something goes wrong. 132 00:31:38,48 --> 00:31:43,82 On. I'm going through your song. 133 00:31:52,22 --> 00:31:52,47 About 134 00:31:52,48 --> 00:31:59,33 a home. Tell us about the. 135 00:34:06,60 --> 00:34:09,68 On the fifteenth or this one gentleman How about it. 136 00:34:37,92 --> 00:34:38,26 I am. 137 00:34:52,00 --> 00:34:56,57 With the. 138 00:35:00,27 --> 00:35:01,16 Faith. 139 00:35:10,31 --> 00:35:14,84 Thanks yes. I 140 00:35:14,85 --> 00:35:19,16 am six you 141 00:35:19,17 --> 00:35:23,39 ask the 142 00:35:24,26 --> 00:35:31,39 Alex 143 00:35:31,40 --> 00:35:34,15 it the but 144 00:35:34,16 --> 00:35:41,41 you 145 00:35:41,42 --> 00:35:46,47 at the So I am. 146 00:35:48,49 --> 00:35:54,38 I an Al Thani Thank you. 147 00:35:57,15 --> 00:36:01,44 I am. With the. 148 00:36:06,72 --> 00:36:13,24 With the sick the SO 149 00:36:13,25 --> 00:36:17,71 HE CAN I am. I 150 00:36:17,72 --> 00:36:22,57 am I am. I 151 00:36:22,58 --> 00:36:25,97 am talking to 152 00:36:25,98 --> 00:36:30,66 any 153 00:36:31,10 --> 00:36:36,19 alpha. 154 00:37:18,93 --> 00:37:19,87 When I come home 155 00:37:19,88 --> 00:37:31,66 a little. You 156 00:37:31,67 --> 00:37:31,80 know. 157 00:37:41,07 --> 00:37:41,22 What. 158 00:38:17,08 --> 00:38:17,80 I'll. 159 00:38:41,95 --> 00:38:42,65 Tell you very much. 160 00:38:57,57 --> 00:39:03,60 You know. We've got Scott Simmons on the bass. 161 00:39:06,62 --> 00:39:12,52 Give it up for Scott great bass player. On the draw. Favorites. 162 00:39:13,90 --> 00:39:20,40 Favorites. Like Cadillac that's. On the keyboards. 163 00:39:23,93 --> 00:39:29,57 You like it loud don't you. What is that. Why do you think. 164 00:39:30,95 --> 00:39:35,17 It's smokin hot but that what let's talk about your gear first because you've got 165 00:39:35,61 --> 00:39:39,65 good stuff good idea what's that amp Let's start there is 166 00:39:39,66 --> 00:39:46,34 a black faced silver pay seventy four flames come out of that thing. 167 00:39:47,49 --> 00:39:53,05 As it loud. But it's one of the quiet around so I have those why brother can I But 168 00:39:53,06 --> 00:39:59,80 about this Telecaster everything I do is fake oh oh oh. Oh my leg 169 00:39:59,81 --> 00:40:02,42 is this is gold a relic my leg is 170 00:40:02,43 --> 00:40:07,15 a relic going to it's what year I mean that always means something 171 00:40:09,49 --> 00:40:16,16 else raise that thing up that's when you've got to stay in care of it 172 00:40:16,100 --> 00:40:20,39 OK what about this one what about that that was your favorite I can tell less 173 00:40:20,48 --> 00:40:23,74 organized is that they reissued these are actually this is you it's 174 00:40:23,75 --> 00:40:30,51 a tribute one nine hundred sixty and ever since my mom took me into the 175 00:40:30,51 --> 00:40:35,58 first music store when I was probably eight years old nine took me in to buy me 176 00:40:35,59 --> 00:40:42,54 a trumpet gold tops it and what I want ever to ever since I only got one because 177 00:40:42,55 --> 00:40:48,92 a cheap lesson of the gloss Well that opens up a door what about your mom is there 178 00:40:48,93 --> 00:40:52,46 a person in your life that opened up music for you like that was it Mom or would 179 00:40:52,47 --> 00:40:58,10 you tell me Mom and I answer yeah your aunts two of them and I went with 180 00:40:59,18 --> 00:41:04,53 a piano player singer but was going to singers piano players not professionally 181 00:41:05,03 --> 00:41:07,40 played the radio D.J. 182 00:41:07,83 --> 00:41:14,57 . You know ever since I was young to years old I developed 183 00:41:15,03 --> 00:41:21,72 my own turntable in the kitchen with Mom's mixmaster. So you were 184 00:41:21,73 --> 00:41:24,88 serious at home about you know and you know I was I was already a D.J. 185 00:41:24,89 --> 00:41:31,69 To plan my own platters and which they literally were platters and but I don't know 186 00:41:31,70 --> 00:41:38,36 about four years old the piano on my mom walked in the living room one day and she 187 00:41:38,37 --> 00:41:40,67 says it was planned sitting at the piano playing which is 188 00:41:40,68 --> 00:41:44,98 a dream where did you learn math and I said off the T.V. 189 00:41:45,39 --> 00:41:46,98 Are you listening American band. 190 00:41:53,91 --> 00:41:54,95 So your mom had 191 00:41:54,96 --> 00:41:57,51 a lot to do with you getting into music what about guitar was there 192 00:41:57,52 --> 00:42:01,82 a particular person that said this is the instrument and it opened your mind up. 193 00:42:03,75 --> 00:42:04,89 And I just want my didn't have 194 00:42:04,90 --> 00:42:11,59 a girlfriend I wanted one. OK And I got my brother was 195 00:42:11,63 --> 00:42:18,11 a big musical influence on me and he bought me my first guitar Sears Roebuck 196 00:42:19,38 --> 00:42:22,01 and that will go that was a great heiress and I was 197 00:42:22,02 --> 00:42:28,52 a harmony Silvertone harmony. Twelve ninety five years old and they're keepers man 198 00:42:28,54 --> 00:42:33,10 they're keepers he bought me the that's what got me started so change your life 199 00:42:33,93 --> 00:42:39,19 pretty much big brother just like it's a big brother yes you also talked about 200 00:42:39,20 --> 00:42:44,16 a couple of record albums that changed your life the Bloomfield Cooper LP double 201 00:42:44,17 --> 00:42:46,37 live. That was 202 00:42:46,38 --> 00:42:51,52 a big one when I worked couple of those did that you did Bloomfield influence your 203 00:42:51,53 --> 00:42:58,36 guitar playing. I I don't know you know I was so into fusion and jazz at the 204 00:42:58,37 --> 00:43:04,69 time that I wasn't but I never listen to guitar players anyway to learn from my 205 00:43:04,90 --> 00:43:11,82 early on when all of typical stuff but yeah. Later 206 00:43:11,83 --> 00:43:18,75 on it was. Mostly drummers piano players in trouble players which I quit 207 00:43:18,77 --> 00:43:23,58 playing trumpet but that's what I listen to so do you play more the guitar I'm 208 00:43:23,59 --> 00:43:28,48 sorry you play more than a guitar. Bass and just 209 00:43:28,49 --> 00:43:34,85 a tiny bit of keyboards play everything don't you. That we hate people like you 210 00:43:34,86 --> 00:43:36,98 just got. So you're 211 00:43:36,99 --> 00:43:42,59 a musical mongrel as you describe yourself yeah many styles many styles many 212 00:43:42,60 --> 00:43:47,57 instruments you do this full time and you guys and all you guys do full time how. 213 00:43:48,80 --> 00:43:52,83 So what's with you Dean I repair office chairs during the day I'm 214 00:43:52,84 --> 00:43:57,24 a bust your chops on that many people in this thing full time I'm sorry my right 215 00:43:58,01 --> 00:44:04,46 can I hear you say yeah yeah I knew you were there Peter Food and Drug Act with 216 00:44:04,47 --> 00:44:08,77 Harvey Mandela and Don sugarcane Harris I remember that I remember you remember 217 00:44:08,78 --> 00:44:13,41 that for me OK you know I don't know if it was recorded right here in Seattle that 218 00:44:13,76 --> 00:44:15,80 was the name of the place K. 219 00:44:15,81 --> 00:44:17,12 Smith or something no it was 220 00:44:17,13 --> 00:44:23,47 a tavern attack off of forty five right up forty fifth and I find the Blue Moon had 221 00:44:23,48 --> 00:44:26,57 to be the Blue Moon Over the Rainbow the fabulous red with might have been the Ram 222 00:44:26,58 --> 00:44:31,27 Dass had to be the path of this rainbow tavern my souls on fire that I wasn't there 223 00:44:31,28 --> 00:44:35,01 when there was this it was the families it had to be that they have this rainbow OK 224 00:44:35,02 --> 00:44:38,40 So let's talk about we talk but what about your songs you have 225 00:44:38,41 --> 00:44:43,71 a couple of originals you started with this is over spoon song that's personal 226 00:44:43,72 --> 00:44:50,57 isn't it could be I'm not going there. Hanging on is useless 227 00:44:50,58 --> 00:44:54,15 most of it most of all it's painful that's 228 00:44:54,16 --> 00:44:58,60 a true yeah yeah I got some truth in there that I was and that was all about how i 229 00:44:58,61 --> 00:45:03,61 was written about two years ago in Vegas and after some stuff happened you spent 230 00:45:03,62 --> 00:45:10,56 some time being is my payback I think that was my payback Oh come back Sept so 231 00:45:10,57 --> 00:45:14,49 you know you know I'm carrying a grudge you don't care what I don't carry 232 00:45:14,50 --> 00:45:21,38 a grudge thirty nine days that's another original. OK 233 00:45:21,42 --> 00:45:27,81 You wrote that one I don't remember oh I busted it Mike somebody are doing it 234 00:45:28,56 --> 00:45:34,65 I love your arrangement of Crossroads tell me how you got to that. Just through 235 00:45:34,69 --> 00:45:40,83 about four five six different arrangements of just actually rehearsal we came up 236 00:45:40,84 --> 00:45:45,77 with the drum group. And it always starts with 237 00:45:45,78 --> 00:45:51,70 a drummer does other day. Oh no I'm. 238 00:45:53,37 --> 00:46:00,22 I'm just saying without me it's just folk music. Dave Jedi now date the city 239 00:46:00,23 --> 00:46:07,09 without your shoes and you always play naked no doubt and why was there 240 00:46:07,10 --> 00:46:12,58 someone who taught you that or something it's just I grew up in Texas it's hot you 241 00:46:12,59 --> 00:46:18,46 know that's just one last piece of clothing you know. There's so many more 242 00:46:18,47 --> 00:46:23,24 questions I could dig into from that. Are you are you going to the I.P.C. 243 00:46:23,25 --> 00:46:29,84 Finals is that what I heard we have advanced to yes finals Yeah it's gnomish 244 00:46:31,21 --> 00:46:35,51 Yeah so you made the first cut as it were for the International Blues Challenge 245 00:46:35,81 --> 00:46:38,69 everybody trying to go to Memphis these days and you guys got 246 00:46:38,70 --> 00:46:43,95 a good chance with this band big show coming up on August nineteenth in snow home 247 00:46:43,96 --> 00:46:50,84 in James King. And this outsiders Rafael's going to 248 00:46:50,85 --> 00:46:52,46 be there so that's 249 00:46:52,47 --> 00:46:56,44 a how did you get into playing the bass I mean. I just grew up in 250 00:46:56,45 --> 00:47:03,22 a musical family and that was the the chair that needed to be filled so yeah but I 251 00:47:03,23 --> 00:47:07,01 kind of learned by watching and played church you know there was 252 00:47:07,02 --> 00:47:13,30 a B three in front of me and taking piano lessons when I was six years old so the 253 00:47:13,31 --> 00:47:19,16 man said watch my feet so I watched his plate keys with his feet and I knew the 254 00:47:19,17 --> 00:47:20,45 notes and so that's all 255 00:47:20,46 --> 00:47:25,02 a lot of the notes on the bass the one four five four came out right at the feet 256 00:47:25,03 --> 00:47:26,78 there I can relate to that I grew up with 257 00:47:26,79 --> 00:47:30,78 a mom doing or going to church in the same thing I was down there at her feet 258 00:47:31,36 --> 00:47:36,79 totally you know that story first hand so how old were you then oh I was probably 259 00:47:36,80 --> 00:47:43,20 early teens. And I played drums in high school went to college and then. 260 00:47:45,29 --> 00:47:48,50 Well now when did you get into this professionally Where did you know you had to do 261 00:47:48,51 --> 00:47:54,92 it professionally. Electrician by trade so that's always treated me you know I've 262 00:47:54,93 --> 00:48:01,53 always had that but. Played you know from twenty years old it was pretty busy 263 00:48:02,16 --> 00:48:06,59 in there when I moved up in this area and been very busy the last fifteen years or 264 00:48:06,60 --> 00:48:12,83 so in this area yeah you also say Steve as well as play the keyboards and you have 265 00:48:12,87 --> 00:48:17,28 to nor over there you know north I've seen 266 00:48:17,32 --> 00:48:21,33 a north before but never have I seen someone with two north this is the brand of 267 00:48:21,34 --> 00:48:24,02 keyboard I'm talking about these are great they sound like 268 00:48:24,03 --> 00:48:28,19 a Hammond organ and tell me about your your gear there they really do an 269 00:48:28,20 --> 00:48:29,04 outstanding job 270 00:48:29,34 --> 00:48:35,07 a Swedish company the bottom keyboard just as Hammond B three and other words it 271 00:48:35,08 --> 00:48:39,62 does parties a cheesy talian organs from the sixty's and also does 272 00:48:39,63 --> 00:48:43,88 a really good pipe organ but mainly B three is what people use and work and you 273 00:48:43,89 --> 00:48:47,88 know the top keyboard does beat three as well but you you have waited keys for the 274 00:48:47,89 --> 00:48:53,34 piano and you can't play the B three on the piano because you have to do all the 275 00:48:53,35 --> 00:48:55,32 smears and these run ups and it's just 276 00:48:55,33 --> 00:49:00,58 a whole nother action so that's that's why I drag around so much gear it to be more 277 00:49:00,59 --> 00:49:05,65 authentic Well you do this full time what got you into the keyboards you know it's 278 00:49:05,66 --> 00:49:09,71 funny you listen to the Dean's story I've never really talked to him about that but 279 00:49:10,04 --> 00:49:14,58 really similar My mom played just played by ear and we always had 280 00:49:14,59 --> 00:49:18,16 a piano in the house you know five or six I just you know picked it up going to 281 00:49:18,17 --> 00:49:18,29 have 282 00:49:18,30 --> 00:49:23,56 a good ear for it. Never really took lessons I just kind of always you know learned 283 00:49:23,57 --> 00:49:28,22 after Eckard and back in the old days you could check out big records from the 284 00:49:28,23 --> 00:49:33,25 library you know and check those out learn like you know classical song whatever I 285 00:49:33,25 --> 00:49:33,71 can find 286 00:49:34,79 --> 00:49:40,37 a way to go well you got the chops never unless I'm so sorry. 287 00:49:43,29 --> 00:49:47,28 That's right we both grew up in Vancouver Washington well for you to never mental 288 00:49:47,29 --> 00:49:51,08 up here and you didn't know that about oh what 289 00:49:51,09 --> 00:49:57,30 a ten minute interview will do that's right. Steve Thorpe on the keyboards I could 290 00:49:57,31 --> 00:50:01,21 ask you some more questions but run out of time for Dave Jerry on the drums I love 291 00:50:01,22 --> 00:50:08,04 you man Scott Simmons on the bass you can find Dave and Steve in the 292 00:50:08,05 --> 00:50:13,86 Jonathan Harris band No I'm sorry Dave and Scott in the Jon Benet tree band but 293 00:50:13,87 --> 00:50:20,85 this is the dean right Dean record guitar it's called those better live. 294 00:50:28,75 --> 00:50:29,13 The man. 295 00:50:49,44 --> 00:50:54,01 Said. She turns. 296 00:51:02,79 --> 00:51:02,89 Out. 297 00:51:12,13 --> 00:51:12,29 It's 298 00:51:12,30 --> 00:51:44,49 a. Sweet. When 299 00:51:44,50 --> 00:51:44,80 is 300 00:51:44,81 --> 00:51:51,74 a good. Time who's. Holding on to 301 00:51:51,75 --> 00:51:56,15 not. What one. Would try. 302 00:51:59,51 --> 00:52:03,95 Want to monstrosity all. Holding on to. 303 00:52:09,10 --> 00:52:11,90 Some old it's mind blowing smoke. 304 00:52:19,16 --> 00:52:24,16 In the. Belly of the planet. 305 00:52:26,43 --> 00:52:27,06 I remember. 306 00:52:33,61 --> 00:52:34,50 The where. 307 00:53:04,12 --> 00:53:05,10 The. 308 00:53:46,58 --> 00:53:52,95 What. Some of those do do. When you're just. 309 00:53:56,07 --> 00:54:02,80 Not out. And search the home. And more. 310 00:54:04,06 --> 00:54:09,22 Phone. I think. 311 00:54:11,12 --> 00:54:11,27 That's 312 00:54:11,28 --> 00:54:18,97 a lack of communication. On our. No 313 00:54:18,97 --> 00:54:25,41 . Yeah sign. On. A 314 00:54:25,42 --> 00:54:31,88 shoestring. The stain. On the painting 315 00:54:31,95 --> 00:54:32,43 her. 316 00:55:22,94 --> 00:55:29,07 Door on the keyboards thank you very much. Thank you. 317 00:55:31,19 --> 00:55:37,15 Thank you. Thank. 318 00:55:44,53 --> 00:55:51,27 YOU THANK. YOU 319 00:55:51,28 --> 00:55:58,20 THANK. YOU THANK YOU. 320 00:56:00,09 --> 00:56:03,75 Thank you thank you. 321 00:56:06,70 --> 00:56:11,80 Thank. You and. 322 00:56:19,84 --> 00:56:26,66 Thank. You and. 323 00:56:30,96 --> 00:56:31,91 Thank.